LESSON TWO: Heroic Images: Visualization and Media Messages

                                                                             

LESSON DESCRIPTION

Students analyze and evaluate the elements of messages projected in various media, such as websites.

 

GRADE-LEVEL EXPECTATIONS

R1G         During reading, utilize strategies to

                Predict and check cueing systems

IL2          Student will be able to synthesize, analyze, and evaluate the elements of messages projected in various media, such as videos, pictures, websites, and/or news programs.

 

LESSON MATERIALS

§         Source of Literature

 

§         Supplies 

 

§         Handouts provided

 

§         Words to know

o        analyze

o        evaluate

o        infer

o        predict

o        visualize

 

FORMATIVE ASSESSMENT 

Students complete a visualization chartScoring guide provided.

 

LEARNING ACTIVITIES

Part One

 

  1. Locate a text with an “unsung” hero.  In order to expand students’ perceptions of heroes, select a hero from an area other than entertainment or sports.   

 

Idea

Billings, H. (1999). Heroes: 21 True stories of Courage and Honor—with Exercises for Developing Reading Comprehension and Critical Thinking Skills. Lincolnwood, IL: Jamestown Publishers.

Tyler, B. (n.d.). Holding out for a hero. Retrieved July 21, 2004, from <http://www.letssingit.com/?/bonnie-tyler-i-need-a-hero-4h31c5d.html>

       

Questions

for

Students

What heroes have you heard about or read about who are not sports figures or entertainers?

How would the heroic characteristics we discussed fit these heroes?

What if only sports figures or entertainers qualified as heroes? How would it change events in our history?

 

  1. Preview the text by noting nonfiction features with students. (Read headings, subheadings, discuss pictures, and read key topic sentences.) Discuss the use of visualization as a reading strategy.

 

  1. Briefly describe a scene from the passage that evokes a strong image. Students paint the image from the passage as they imagine it, using watercolors and butcher paper on the classroom floor. Student title their “painting” and participate in a gallery walk, talking of common elements.  What question would they ask the artist? (See Hurtig, Caryl and Siebold, Lewis Literature, Loss, and the Journey of Change in Adolescence presented at 1998 NCTE Convention, Nashville, TN.)

 

Questions

for

Students

As you read this portion of the text, what color do you see?

Aside from that color, what other(s) do you notice?

What characters are present? What are they feeling? How can you tell?

What movement or action do you notice?

What is the most important image you see? Why is it the most important?

What other senses are stimulated by the passage? Explain.

 

Strategy 

Visualization is a crucial reading strategy, one that enables the reader to “enter the world of the story.” Jeffrey Wilhelm notes in You Gotta Be the Book (1997) that visualization is a prerequisite skill that the reader must possess before he or she can successfully comprehend the “efferent” (information laden) text that so dominates high school.

 

Instructional activities for helping students learn visualization are included in Wilhelm’s book as well as his Improving Comprehension with Think-Aloud Strategies: Modeling What Good Readers Do (2001). A particularly helpful method to foster visualization is to ask students to draw pictures of particularly strong images. The use of such nonlinguistic representation is explained and supported in Classroom Instruction that Works (2001) by Marzano, Pickering, and Pollock. Chris Tovani’s I Read It, But I Don’t Get It (2001) offers a variety of resources for teaching visualization.

 

Part 2

Media Messages

 

  1. Students use a jigsaw activity to brainstorm methods of acquiring more information about unsung heroes. (See Kagan, Cooperative Learning). After the groups have presented strategies for acquiring information, students focus attention on websites.

 

Jigsaw Strategy

 

What is it?

Jigsaw is a cooperative learning structure that promotes the sharing and understanding of ideas or texts.

 

What is its purpose?

Jigsaw facilitates learning in two areas:

§          the social skills of positive interdependence and equal participation, and

§          the academic skill of acquiring knowledge and understanding.

 

How do I do it?

Preparation for class:

(1)      Using the reading passage Chief Red Jacket’s Reply to Reverend Cram, prepare a copy of the passage for each student. 

(2)     Divide the class into home groups of equal numbers.

(3)     Copy an argument chart graphic organizer for each student.

(4)     Assign each student of the home group a different persuasive element from the argument chart (assertion, supporting evidence, opposing viewpoint, and arguments against the opposing viewpoint).  The student’s assigned assertion will also look/identify propaganda techniques.

 

Classroom organization

§          Organize the students into pre-determined home groups.  Each group needs a clean copy of the passage.

§          Each member will become the “expert” of a persuasive element for their home group.

§          Members of each home group form cooperative expert groups by teaming with others who have identical passages.        

o         Expert group example, all ‘supporting evidence’ students in the home groups come together to form a supporting evidence expert group.

o         This expert group reads the passage, discusses the information, and identifies all supporting evidence.  The information is recorded on the argument chart.  

o         They also discuss the best method of sharing their acquired knowledge and understanding with their cooperative home group.

After discussion, the expert group members return to their home groups to explain their element.  The home group discusses so all members have an understanding of each element.  However, each member is an expert on only one element

 

(5)     Students pair-share and list potential problems with using websites in research.

 

(6)     As a whole group, students brainstorm on the board or overhead until a list is compiled of potential problems. The following information should be included:

suspicious authorship

lack of credibility

lack of objectivity

suspicious purpose

poor quality or lack of professionalism

(7)     Students write a list of ways to avoid being influenced by invalid websites in a small group and present findings until a website evaluation is created on the overhead.

 

(8)     Using this evaluation, students evaluate a website. (The ideal way to incorporate this is to include the technology for all students to “see” the site together and discuss the above categories.) Teachers should inform students that if part of the website is unclear, incorrect, or weak, it invalidates the site.

 

 

 

Questions

for

Students

 

 

 

 

 

What do you notice about the appearance of these sites?

Can you label all the components of a website?

What makes a website invalid?

How would this site be changed if _________________ were changed to _____________?

Can you summarize the elements of a valid website? Can you summarize the problems many invalid websites have?

How does objectivity validate or invalidate a website?

 

  1. Choose another website (see website evaluation suggestions) and students practice (potentially with a partner) finding problems, using the guidelines. Consult the Website Evaluation suggestions for important questions and categories for the evaluation process.

 

Questions

for

Students

 

Students may have the following questions about the process:

What makes a website invalid or valid?

How will I know if I can use a website?

What criteria will I use to determine if a website is appropriate?

 

Idea

 

 

 

Website Evaluations:

http://www.nwmissouri.edu/library/courses/evaluation/edeval.htm

http://www.pace.edu/library/pages/instruct/webevalworksheet.htm

http://www.zapatopi.net/treeoctopus.html